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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country in the world by area and the most populous country. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Lambodara and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 2 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 3 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 4 Nanakramguda skyline Hyderabad (/ˈhaɪdərəbæd/ HY-dər-ə-bad; ISO: Haidarābād, Telugu: [ˈɦaɪ̯daɾaːbaːd] ⓘ, Urdu: [ˈɦɛːdəɾaːbaːd]) is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India. The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states with a transitional arrangement scheduled to end in 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)

    Nanakramguda skyline

    Hyderabad (/ˈhaɪdərəbæd/ HY-dər-ə-bad; ISO: Haidarābād, Telugu: [ˈɦaɪ̯daɾaːbaːd] ⓘ, Urdu: [ˈɦɛːdəɾaːbaːd]) is the capital and largest city of the Indian state of Telangana. It occupies 650 km2 (250 sq mi) on the Deccan Plateau along the banks of the Musi River, in the northern part of Southern India. With an average altitude of 542 m (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including the Hussain Sagar lake, predating the city's founding, in the north of the city centre. According to the 2011 census of India, Hyderabad is the fourth-most populous city in India with a population of 6.9 million residents within the city limits, and has a population of 9.7 million residents in the metropolitan region, making it the sixth-most populous metropolitan area in India. With an output of US$ 95 billion, Hyderabad has the sixth-largest urban economy in India.

    The Qutb Shahi dynasty's Muhammad Quli Qutb Shah established Hyderabad in 1591 to extend the capital beyond the fortified Golconda. In 1687, the city was annexed by the Mughals. In 1724, Asaf Jah I, the Mughal viceroy, declared his sovereignty and founded the Asaf Jahi dynasty, also known as the Nizams. Hyderabad served as the imperial capital of the Asaf Jahis from 1769 to 1948. As the capital of the princely state of Hyderabad, the city housed the British Residency and cantonment until Indian independence in 1947. Hyderabad was annexed by the Indian Union in 1948 and continued as a capital of Hyderabad State from 1948 to 1956. After the introduction of the States Reorganisation Act of 1956, Hyderabad was made the capital of the newly formed Andhra Pradesh. In 2014, Andhra Pradesh was split to form the state of Telangana, and Hyderabad became the joint capital of the two states with a transitional arrangement scheduled to end in 2024. Since 1956, the city has housed the Rashtrapati Nilayam, the winter office of the president of India. (Full article...)
  • Image 5 A Bengal tigress in Kanha Tiger Reserve, India The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands. Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)

    A Bengal tigress in Kanha Tiger Reserve, India

    The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.

    Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)
  • Image 6 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 7 Greatest extent of the Chalukya Empire, 636 AD, 740 AD The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century. The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)

    Greatest extent of the Chalukya Empire, 636 AD, 740 AD

    The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.

    The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
  • Image 8 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly called Trichinopoly in English, also known as Tiruchi or Trichy), is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 9 Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor. Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
    Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor.

    Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
  • Image 10 Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by Nikhil Advani in his directorial debut with a story written by Karan Johar with dialogue by Niranjan Iyengar, and produced by Yash Johar. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. In the film, Naina Catherine Kapur (Zinta) and Aman Mathur (Shah Rukh Khan) fall in love, but a secret prevents him from reciprocating his feelings and results in a plan to set Naina up with her best friend, Rohit Patel (Saif Ali Khan). Collaborating with Johar, Shankar–Ehsaan–Loy composed the soundtrack and score. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
    Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by Nikhil Advani in his directorial debut with a story written by Karan Johar with dialogue by Niranjan Iyengar, and produced by Yash Johar. The film stars Jaya Bachchan, Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. In the film, Naina Catherine Kapur (Zinta) and Aman Mathur (Shah Rukh Khan) fall in love, but a secret prevents him from reciprocating his feelings and results in a plan to set Naina up with her best friend, Rohit Patel (Saif Ali Khan).

    Collaborating with Johar, Shankar–Ehsaan–Loy composed the soundtrack and score. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
  • Image 11 Andha Naal (pronounced [an̪da naːɭ] transl. That Day) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect. Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
    Andha Naal (pronounced [an̪da naːɭ] transl. That Day) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect.

    Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
  • Image 12 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 13 A stallion The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait. The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)

    A stallion

    The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait.

    The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)
  • Image 14 Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
    Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital

    Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
  • Image 15 The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han. Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)

    The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han

    Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.

    Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)
  • Image 16 Pather Panchali (pronounced [pɔtʰer pãtʃali] transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Pinaki Sengupta and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    Pather Panchali (pronounced [pɔtʰer pãtʃali] transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Pinaki Sengupta and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 17 Procession march held on 21 February 1952 in Dhaka The Bengali language movement was a political movement in former East Bengal in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)

    Procession march held on 21 February 1952 in Dhaka

    The Bengali language movement was a political movement in former East Bengal in 1952, advocating the recognition of the Bengali language as a co-lingua franca of the then-Dominion of Pakistan to allow its use in government affairs, the continuation of its use as a medium of education, its use in media, currency and stamps, and to maintain its writing in the Bengali alphabet / Bengali script

    When the Dominion of Pakistan was formed after the separation of the Indian subcontinent in 1947, when the British left, it was composed of various ethnic and linguistic groups, with the geographically non-contiguous East Bengal province having a mainly ethnic Bengali population. In 1948, the Government of the Dominion of Pakistan ordained as part of Islamization of East Pakistan or East Bengal that Urdu will be the sole federal language, alternately Bengali writing in the Perso-Arabic script or Roman script (Romanisation of Bengali) or Arabic as the state language of the whole of Pakistan was also proposed, sparking extensive protests among the Bengali-speaking majority of East Bengal. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. (Full article...)
  • Image 18 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    Portrait by Rudolf Swoboda, 1888

    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 19 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 20 Murray in 1928 Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career. Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)

    Murray in 1928

    Margaret Alice Murray FSA Scot FRAI (13 July 1863 – 13 November 1963) was an Anglo-Indian Egyptologist, archaeologist, anthropologist, historian, and folklorist. The first woman to be appointed as a lecturer in archaeology in the United Kingdom, she worked at University College London (UCL) from 1898 to 1935. She served as president of the Folklore Society from 1953 to 1955, and published widely over the course of her career.

    Born to a wealthy middle-class English family in Calcutta, British India, Murray divided her youth between India, Britain, and Germany, training as both a nurse and a social worker. Moving to London, in 1894 she began studying Egyptology at UCL, developing a friendship with department head Flinders Petrie, who encouraged her early academic publications and appointed her junior lecturer in 1898. In 1902–03, she took part in Petrie's excavations at Abydos, Egypt, there discovering the Osireion temple and the following season investigated the Saqqara cemetery, both of which established her reputation in Egyptology. Supplementing her UCL wage by giving public classes and lectures at the British Museum and Manchester Museum, it was at the latter in 1908 that she led the unwrapping of Khnum-nakht, one of the mummies recovered from the Tomb of two Brothers – the first time that a woman had publicly unwrapped a mummy. Recognising that British Egyptomania reflected the existence of a widespread public interest in Ancient Egypt, Murray wrote several books on Egyptology targeted at a general audience. (Full article...)
  • Image 21 Collins on an 1899 postcard Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings. Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)

    Collins on an 1899 postcard

    Arthur Edward Jeune Collins (18 August 1885 – 11 November 1914) was an English cricketer and soldier. He held, for 116 years, the record of highest score in cricket: as a 13-year-old schoolboy, he scored 628 not out over four afternoons in June 1899. Collins's record-making innings drew a large crowd and increasing media interest; spectators at the Old Cliftonian match being played nearby were drawn away to watch the junior school house cricket match in which Collins was playing. Despite this achievement, Collins never played first-class cricket. Collins's 628 not out stood as the record score until January 2016 when an Indian boy, Pranav Dhanawade, scored 1009 in a single innings.

    Collins joined the British Army in 1902 and studied at the Royal Military Academy, Woolwich, before becoming an officer in the Royal Engineers. He served in France during the First World War, where he was killed in action in 1914 during the First Battle of Ypres. Collins had been mentioned in despatches and also represented the Royal Military Academy at cricket and rugby union. (Full article...)
  • Image 22 Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
    Gemini (/dʒɛminɪ/) is a 2002 Indian Tamil-language crime action film written and directed by Saran with Pon Elango as assistant director. This film was produced by AVM Productions. The film stars Vikram in the main lead role, while Kiran Rathod, Murali, Kalabhavan Mani, Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharadwaj. (Full article...)
  • Image 23 Shah in 2022 Shefali Shah (née Shetty; born 22 May 1973) is an Indian actress of film, television and theatre. Working primarily in independent Hindi films, she has received multiple local and foreign accolades for her performances. Shah's acting career started on the Gujarati stage before she debuted on television in 1993. After small parts on television and a brief stint with cinema in Rangeela (1995), she gained wider recognition in 1997 for her role in the popular series Hasratein. This was followed by lead roles in the TV series Kabhie Kabhie (1997) and Raahein (1999). A supporting role in the crime film Satya (1998) won her positive notice and a Filmfare Critics Award, and she soon shifted her focus to film acting starting with a lead role in the Gujarati drama Dariya Chhoru (1999). Shah was selective about her roles through the following decades, resulting in intermittent film work, mostly in character parts and often to appreciation from critics. She appeared in the international co-production Monsoon Wedding (2001) and the mainstream comedy-drama Waqt: The Race Against Time (2005). In 2007, her portrayal of Kasturba Gandhi in the biographical drama Gandhi, My Father won her the Best Actress prize at the Tokyo International Film Festival, and she received the National Film Award for Best Supporting Actress for the drama film The Last Lear. Among her subsequent film roles, she played a leading part in Kucch Luv Jaisaa (2011) and was noted for her work in the social problem film Lakshmi (2014) and the ensemble drama Dil Dhadakne Do (2015). (Full article...)

    Shah in 2022

    Shefali Shah (née Shetty; born 22 May 1973) is an Indian actress of film, television and theatre. Working primarily in independent Hindi films, she has received multiple local and foreign accolades for her performances. Shah's acting career started on the Gujarati stage before she debuted on television in 1993. After small parts on television and a brief stint with cinema in Rangeela (1995), she gained wider recognition in 1997 for her role in the popular series Hasratein. This was followed by lead roles in the TV series Kabhie Kabhie (1997) and Raahein (1999). A supporting role in the crime film Satya (1998) won her positive notice and a Filmfare Critics Award, and she soon shifted her focus to film acting starting with a lead role in the Gujarati drama Dariya Chhoru (1999).

    Shah was selective about her roles through the following decades, resulting in intermittent film work, mostly in character parts and often to appreciation from critics. She appeared in the international co-production Monsoon Wedding (2001) and the mainstream comedy-drama Waqt: The Race Against Time (2005). In 2007, her portrayal of Kasturba Gandhi in the biographical drama Gandhi, My Father won her the Best Actress prize at the Tokyo International Film Festival, and she received the National Film Award for Best Supporting Actress for the drama film The Last Lear. Among her subsequent film roles, she played a leading part in Kucch Luv Jaisaa (2011) and was noted for her work in the social problem film Lakshmi (2014) and the ensemble drama Dil Dhadakne Do (2015). (Full article...)
  • Image 24 Core Western Ganga Territory Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 999 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district. After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)

    Core Western Ganga Territory

    Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 999 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district.

    After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)
  • Image 25 The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical period film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931. The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
    The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical period film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931.

    The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
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  • Image 1 Murty in 2024 Akshata Narayana Murty (/ˈʌkʃʌtɑː nɑːˈrɑːjʌnʌ ˈmuːrθi/; born 25 April 1980) is an Indian heiress, businesswoman, fashion designer, and venture capitalist. She is the wife of former prime minister of the United Kingdom Rishi Sunak and the daughter of N. R. Narayana Murthy, a founder of the Indian multinational IT company Infosys, and Sudha Murty. She holds a 0.93 percent stake in Infosys, along with shares in several other British businesses. Since 2009, she has been married to Rishi Sunak, the former prime minister of the United Kingdom and leader of the Conservative Party from 2022 to 2024. He also served as Chancellor of the Exchequer from 2020 to 2022 in Prime Minister Boris Johnson's cabinet, as well as Leader of the Opposition from July to November 2024. According to the Sunday Times Rich List, Murty and Sunak hold the 245th rank for the richest people in Britain as of 2024[update], with a combined wealth of £651 million (US$827 million). In 2022, her personal wealth became the topic of British media discussion in the context of her claim of non-domiciled status, an arrangement seen as benefiting the "super rich." Murty later voluntarily renounced the fiscal benefits from her non-domiciled status. (Full article...)

    Murty in 2024

    Akshata Narayana Murty (/ˈʌkʃʌtɑː nɑːˈrɑːjʌnʌ ˈmuːrθi/; born 25 April 1980) is an Indian heiress, businesswoman, fashion designer, and venture capitalist. She is the wife of former prime minister of the United Kingdom Rishi Sunak and the daughter of N. R. Narayana Murthy, a founder of the Indian multinational IT company Infosys, and Sudha Murty. She holds a 0.93 percent stake in Infosys, along with shares in several other British businesses.

    Since 2009, she has been married to Rishi Sunak, the former prime minister of the United Kingdom and leader of the Conservative Party from 2022 to 2024. He also served as Chancellor of the Exchequer from 2020 to 2022 in Prime Minister Boris Johnson's cabinet, as well as Leader of the Opposition from July to November 2024. According to the Sunday Times Rich List, Murty and Sunak hold the 245th rank for the richest people in Britain as of 2024, with a combined wealth of £651 million (US$827 million). In 2022, her personal wealth became the topic of British media discussion in the context of her claim of non-domiciled status, an arrangement seen as benefiting the "super rich." Murty later voluntarily renounced the fiscal benefits from her non-domiciled status. (Full article...)
  • Image 2 The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships. As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
    The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships.

    As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
  • Image 3 Morya Gosavi lithograph Morya Gosavi or Moraya Gosavi (Morayā Gosāvi) alias Moroba Gosavi was a prominent saint of the Hindu Ganapatya sect, which considers Ganesha as the Supreme God. Morya Gosavi is considered the chief spiritual progenitor of the Ganapatyas and has been described as the "most famous devotee" of Ganesha. The lifetime of Morya Gosavi is speculated between the 13th to 17th century. Numerous legends recall his life. Morya became devoted to Ganesha when he started visiting the Morgaon temple of Ganesha. It is believed that due to the hindrance in Morya's services to the god in the popular Ganesha shrine, Ganesha told Morya that he would appear in Chinchwad for Morya to worship, so Morya moved from Morgaon to Chinchwad, where Morya built a Ganesha temple. Consequently, Morya took sanjeevan samadhi by burying himself alive in his tomb. (Full article...)

    Morya Gosavi lithograph

    Morya Gosavi or Moraya Gosavi (Morayā Gosāvi) alias Moroba Gosavi was a prominent saint of the Hindu Ganapatya sect, which considers Ganesha as the Supreme God. Morya Gosavi is considered the chief spiritual progenitor of the Ganapatyas and has been described as the "most famous devotee" of Ganesha.

    The lifetime of Morya Gosavi is speculated between the 13th to 17th century. Numerous legends recall his life. Morya became devoted to Ganesha when he started visiting the Morgaon temple of Ganesha. It is believed that due to the hindrance in Morya's services to the god in the popular Ganesha shrine, Ganesha told Morya that he would appear in Chinchwad for Morya to worship, so Morya moved from Morgaon to Chinchwad, where Morya built a Ganesha temple. Consequently, Morya took sanjeevan samadhi by burying himself alive in his tomb. (Full article...)
  • Image 4 Official portrait, 1998 Atal Bihari Vajpayee (25 December 1924 – 16 August 2018) was an Indian politician, statesman and poet who served as the Prime Minister of India, first for a term of 13 days in 1996, then for a period of 13 months from 1998 to 1999, followed by a full term from 1999 to 2004. He was the first non-Congress prime minister to serve a full term in the office. Vajpayee was one of the co-founders and a senior leader of the Bharatiya Janata Party. He was a member of the RSS, a Hindu nationalist volunteer organisation. He was also a Hindi poet and a writer. He was a member of the Indian Parliament for over five decades, having been elected ten times to the Lok Sabha, the lower house, and twice to the Rajya Sabha, the upper house. He served as the Member of Parliament from the Lucknow constituency, retiring from active politics in 2009 due to health concerns. He was among the founding members of the Bharatiya Jana Sangh, of which he was president from 1968 to 1972. The BJS merged with several other parties to form the Janata Party, which won the 1977 general election. In March 1977, Vajpayee became the Minister of External Affairs in the cabinet of Prime Minister Morarji Desai. He resigned in 1979, and the Janata alliance collapsed soon after. Former members of the Bharatiya Jana Sangh formed the Bharatiya Janata Party in 1980, with Vajpayee its first president. (Full article...)

    Official portrait, 1998

    Atal Bihari Vajpayee (25 December 1924 – 16 August 2018) was an Indian politician, statesman and poet who served as the Prime Minister of India, first for a term of 13 days in 1996, then for a period of 13 months from 1998 to 1999, followed by a full term from 1999 to 2004. He was the first non-Congress prime minister to serve a full term in the office. Vajpayee was one of the co-founders and a senior leader of the Bharatiya Janata Party. He was a member of the RSS, a Hindu nationalist volunteer organisation. He was also a Hindi poet and a writer.

    He was a member of the Indian Parliament for over five decades, having been elected ten times to the Lok Sabha, the lower house, and twice to the Rajya Sabha, the upper house. He served as the Member of Parliament from the Lucknow constituency, retiring from active politics in 2009 due to health concerns. He was among the founding members of the Bharatiya Jana Sangh, of which he was president from 1968 to 1972. The BJS merged with several other parties to form the Janata Party, which won the 1977 general election. In March 1977, Vajpayee became the Minister of External Affairs in the cabinet of Prime Minister Morarji Desai. He resigned in 1979, and the Janata alliance collapsed soon after. Former members of the Bharatiya Jana Sangh formed the Bharatiya Janata Party in 1980, with Vajpayee its first president. (Full article...)
  • Image 5 Two adults, on the right with breeding plumage, at a garbage dump in Assam The greater adjutant (Leptoptilos dubius) is a member of the stork family, Ciconiidae. Its genus includes the lesser adjutant of Asia and the marabou stork of Africa. Once found widely across southern Asia and mainland southeast Asia, the greater adjutant is now restricted to a much smaller range with only three breeding populations; two in India, one in the north-eastern state of Assam and a smaller one around Bhagalpur; and another breeding population in Cambodia. They disperse widely after the breeding season. This large stork has a massive wedge-shaped bill, a bare head and a distinctive neck pouch. During the day, it soars in thermals along with vultures with whom it shares the habit of scavenging. They feed mainly on carrion and offal; however, they are opportunistic and will sometimes prey on vertebrates. The English name is derived from their stiff "military" gait when walking on the ground (see adjutant). Large numbers once lived in Asia, but they have declined (possibly due to improved sanitation) to the point of endangerment. The total population in 2008 was estimated at around a thousand individuals. In the 19th century, they were especially common in the city of Calcutta, where they were referred to as the "Calcutta adjutant" and included in the coat of arms for the city. Known locally as hargila (derived from the Assamese words har, 'bone', and gila, 'swallower', thus 'bone-swallower') and considered to be unclean birds, they were largely left undisturbed but sometimes hunted for the use of their meat in folk medicine. Valued as scavengers, they were once depicted in the logo of the Calcutta Municipal Corporation. (Full article...)

    Two adults, on the right with breeding plumage, at a garbage dump in Assam

    The greater adjutant (Leptoptilos dubius) is a member of the stork family, Ciconiidae. Its genus includes the lesser adjutant of Asia and the marabou stork of Africa. Once found widely across southern Asia and mainland southeast Asia, the greater adjutant is now restricted to a much smaller range with only three breeding populations; two in India, one in the north-eastern state of Assam and a smaller one around Bhagalpur; and another breeding population in Cambodia. They disperse widely after the breeding season. This large stork has a massive wedge-shaped bill, a bare head and a distinctive neck pouch. During the day, it soars in thermals along with vultures with whom it shares the habit of scavenging. They feed mainly on carrion and offal; however, they are opportunistic and will sometimes prey on vertebrates. The English name is derived from their stiff "military" gait when walking on the ground (see adjutant). Large numbers once lived in Asia, but they have declined (possibly due to improved sanitation) to the point of endangerment. The total population in 2008 was estimated at around a thousand individuals. In the 19th century, they were especially common in the city of Calcutta, where they were referred to as the "Calcutta adjutant" and included in the coat of arms for the city. Known locally as hargila (derived from the Assamese words har, 'bone', and gila, 'swallower', thus 'bone-swallower') and considered to be unclean birds, they were largely left undisturbed but sometimes hunted for the use of their meat in folk medicine. Valued as scavengers, they were once depicted in the logo of the Calcutta Municipal Corporation. (Full article...)
  • Image 6 Jagadguru Rambhadracharya delivering a sermon on 25 October 2009 in Moradabad, Uttar Pradesh, India Jagadguru Ramanandacharya Swami Rambhadracharya (born Pandit Giridhar Mishra on 14 January 1950) is an Indian Hindu spiritual leader, educator, Sanskrit scholar, polyglot, poet, author, textual commentator, philosopher, composer, singer, playwright and Katha artist based in Chitrakoot, India. He is one of four incumbent Jagadguru Ramanandacharya, and has held this title since 1988. Rambhadracharya is the founder and head of Tulsi Peeth, a religious and social service institution in Chitrakoot named after Saint Tulsidas. He is the founder and lifelong chancellor of the Jagadguru Rambhadracharya Handicapped University in Chitrakoot, which offers graduate and postgraduate courses exclusively to four types of disabled students. Rambhadracharya has been blind since the age of two months, had no formal education until the age of seventeen years, and has never used Braille or any other aid to learn or compose. (Full article...)

    Jagadguru Rambhadracharya delivering a sermon on 25 October 2009 in Moradabad, Uttar Pradesh, India

    Jagadguru Ramanandacharya Swami Rambhadracharya (born Pandit Giridhar Mishra on 14 January 1950) is an Indian Hindu spiritual leader, educator, Sanskrit scholar, polyglot, poet, author, textual commentator, philosopher, composer, singer, playwright and Katha artist based in Chitrakoot, India. He is one of four incumbent Jagadguru Ramanandacharya, and has held this title since 1988.

    Rambhadracharya is the founder and head of Tulsi Peeth, a religious and social service institution in Chitrakoot named after Saint Tulsidas. He is the founder and lifelong chancellor of the Jagadguru Rambhadracharya Handicapped University in Chitrakoot, which offers graduate and postgraduate courses exclusively to four types of disabled students. Rambhadracharya has been blind since the age of two months, had no formal education until the age of seventeen years, and has never used Braille or any other aid to learn or compose. (Full article...)
  • Image 7 Conversations with Waheeda Rehman is a biography by the producer of television documentaries and author Nasreen Munni Kabir, documenting Kabir's extensive conversations with the actress Waheeda Rehman about the actress' life and career. The biography details Rehman's birth in 1938 in Chingleput (present-day Chengalpattu), her 54-year-long film career, and her 1974 marriage to the actor Kamaljeet, with whom she has two children. It was published on 19 February 2014 by Penguin Books. The book generated positive reviews from book critics; most of the praise was directed towards the book's question-and-answer format, and Kabir's and Rehman's style in questioning and answering, respectively. In 1988, Kabir met Rehman while researching on Guru Dutt's life. She met Rehman—his then frequent collaborator—to find more information about him for a documentary releasing the next year, In Search of Guru Dutt. During these interactions, Kabir conceived the idea to write a book on the actress which later became Conversations with Waheeda Rehman. Over the next decades, Kabir tried persuading Rehman to get involved in the book but was always rejected since Rehman believed her life was not interesting enough. While Kabir was nearly about to give up of the project, Rehman finally agreed to do so in 2012. Writing took place in Bandra from December 2012 to November 2013. (Full article...)
    Conversations with Waheeda Rehman is a biography by the producer of television documentaries and author Nasreen Munni Kabir, documenting Kabir's extensive conversations with the actress Waheeda Rehman about the actress' life and career. The biography details Rehman's birth in 1938 in Chingleput (present-day Chengalpattu), her 54-year-long film career, and her 1974 marriage to the actor Kamaljeet, with whom she has two children. It was published on 19 February 2014 by Penguin Books. The book generated positive reviews from book critics; most of the praise was directed towards the book's question-and-answer format, and Kabir's and Rehman's style in questioning and answering, respectively.

    In 1988, Kabir met Rehman while researching on Guru Dutt's life. She met Rehman—his then frequent collaborator—to find more information about him for a documentary releasing the next year, In Search of Guru Dutt. During these interactions, Kabir conceived the idea to write a book on the actress which later became Conversations with Waheeda Rehman. Over the next decades, Kabir tried persuading Rehman to get involved in the book but was always rejected since Rehman believed her life was not interesting enough. While Kabir was nearly about to give up of the project, Rehman finally agreed to do so in 2012. Writing took place in Bandra from December 2012 to November 2013. (Full article...)
  • Image 8 INS Shakti INS Shakti INS Shakti (A57) (lit. Strength) is a Deepak-class fleet tanker in service with the Indian Navy. She was built by Fincantieri, an Italian shipbuilding company based in Trieste. She is the second and final ship of her class. Shakti, along with her predecessor Deepak, is one of the largest ships of the Indian Navy. The construction of the vessel began in November 2009 and she was launched in October 2010. She was handed over to India by September 2011 and was commissioned on 1 October 2011. The construction of the vessel was completed in a record time of 27 months, after the contract worth €159.32 million was signed in April 2008. (Full article...)

    INS Shakti
    INS Shakti
    INS Shakti

    INS Shakti (A57) (lit. Strength) is a Deepak-class fleet tanker in service with the Indian Navy. She was built by Fincantieri, an Italian shipbuilding company based in Trieste. She is the second and final ship of her class. Shakti, along with her predecessor Deepak, is one of the largest ships of the Indian Navy.

    The construction of the vessel began in November 2009 and she was launched in October 2010. She was handed over to India by September 2011 and was commissioned on 1 October 2011. The construction of the vessel was completed in a record time of 27 months, after the contract worth €159.32 million was signed in April 2008. (Full article...)
  • Image 9 Title page of first edition; 1889 Siddhantasara (pronounced [sɪd'ðantsar]; transl. The Gist of Principles) is a 1889 Gujarati book on the history of philosophy by Indian writer and philosopher Manilal Dwivedi. It is a historical critique of the world's religious philosophies. The book deals with the evolution of religious sentiment and attempts to establish the superiority of the Advaita philosophy over other religious philosophies. Siddhantasara received positive reviews and became a landmark in the history of Gujarati literature but was also criticised because of the logical lapses and inconsistencies in the author's arguments. Manishankar Bhatt (known as Kavi Kant) published his review as a book titled Siddhantasaranu Avalokan (Analysis of Siddhantasara). Siddhantasara is considered by critics to be Manilal's most important work, and has been seen as a response to the cultural agenda and reform activities of colonial India at the time. (Full article...)

    Title page of first edition; 1889

    Siddhantasara (pronounced [sɪd'ðantsar]; transl. The Gist of Principles) is a 1889 Gujarati book on the history of philosophy by Indian writer and philosopher Manilal Dwivedi. It is a historical critique of the world's religious philosophies. The book deals with the evolution of religious sentiment and attempts to establish the superiority of the Advaita philosophy over other religious philosophies.

    Siddhantasara received positive reviews and became a landmark in the history of Gujarati literature but was also criticised because of the logical lapses and inconsistencies in the author's arguments. Manishankar Bhatt (known as Kavi Kant) published his review as a book titled Siddhantasaranu Avalokan (Analysis of Siddhantasara). Siddhantasara is considered by critics to be Manilal's most important work, and has been seen as a response to the cultural agenda and reform activities of colonial India at the time. (Full article...)
  • Image 10 Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between c. 1570–1590), prepared by the court painters of Mughal emperor Akbar Sher Shah Suri (Pashto: ﺷﯧﺮ ﺷﺎﻩ ﺳﻮﺭﻱ; Persian: شیرشاه سوری), (Farid al-Din Khan; 1472 or 1486 – 22 May 1545), also known by his title Sultan Adil (lit. 'the Just King'), was the ruler of Bihar from 1530 to 1540, and Sultan of Hindustan from 1540 until his death in 1545. He defeated the Mughal Empire, founding the Sur Empire and establishing his rule in Delhi. The influence of his innovations and reforms extended far beyond his brief reign. During his time in power, he remained undefeated in battle and was renowned as one of the most skillful Afghan generals in history. By the end of his reign, his empire covered nearly all of Northern India. Born between 1472 and 1486 and given the name Farid Khan, his early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where his rise to power began after his father offered him a managerial position over his jagirs. Sher Shah effectively governed these territories, gaining a reputation for his reforms that brought prosperity to the region. However, due to family intrigues, he eventually relinquished his position over the jagirs. Sher Shah then moved to Agra, where he stayed until his father's death. This event allowed him to return to his family's jagirs and take control, thereby solidifying his leadership and furthering his rise to power. (Full article...)

    Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between c. 1570–1590), prepared by the court painters of Mughal emperor Akbar

    Sher Shah Suri (Pashto: ﺷﯧﺮ ﺷﺎﻩ ﺳﻮﺭﻱ; Persian: شیرشاه سوری), (Farid al-Din Khan; 1472 or 1486 – 22 May 1545), also known by his title Sultan Adil (lit. 'the Just King'), was the ruler of Bihar from 1530 to 1540, and Sultan of Hindustan from 1540 until his death in 1545. He defeated the Mughal Empire, founding the Sur Empire and establishing his rule in Delhi. The influence of his innovations and reforms extended far beyond his brief reign. During his time in power, he remained undefeated in battle and was renowned as one of the most skillful Afghan generals in history. By the end of his reign, his empire covered nearly all of Northern India.

    Born between 1472 and 1486 and given the name Farid Khan, his early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where his rise to power began after his father offered him a managerial position over his jagirs. Sher Shah effectively governed these territories, gaining a reputation for his reforms that brought prosperity to the region. However, due to family intrigues, he eventually relinquished his position over the jagirs. Sher Shah then moved to Agra, where he stayed until his father's death. This event allowed him to return to his family's jagirs and take control, thereby solidifying his leadership and furthering his rise to power. (Full article...)
  • Image 11 View of the Arunachalesvara temple towers from the Arunachala hill Arunachalesvara Temple (also called Annamalaiyar Temple), is a Hindu temple dedicated to the god Shiva and goddess Parvati. located at the base of Arunachala hill in the town of Tiruvannamalai in Tamil Nadu, India. It is significant to the Hindu sect of Shaivism as one of the temples associated with the five elements, the Pancha Bhuta Sthalas, and specifically the element of fire, or Agni. Shiva is worshiped as Arunachalesvara or Annamalaiyar, and is represented by the lingam, with his idol being referred to as Agni lingam. Parvati is worshipped as Unnamalai or Apitakuchambal, and is represented by the yoni, with her idol being referred to as Agni yoni. The two presiding deities is revered in the 7th century CE Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the Nayanars and classified as Paadal Petra Sthalam. The 9th century CE Shaiva saint poet Manikkavacakar composed the Tiruvempavai here. (Full article...)

    View of the Arunachalesvara temple towers from the Arunachala hill

    Arunachalesvara Temple (also called Annamalaiyar Temple), is a Hindu temple dedicated to the god Shiva and goddess Parvati. located at the base of Arunachala hill in the town of Tiruvannamalai in Tamil Nadu, India. It is significant to the Hindu sect of Shaivism as one of the temples associated with the five elements, the Pancha Bhuta Sthalas, and specifically the element of fire, or Agni.

    Shiva is worshiped as Arunachalesvara or Annamalaiyar, and is represented by the lingam, with his idol being referred to as Agni lingam. Parvati is worshipped as Unnamalai or Apitakuchambal, and is represented by the yoni, with her idol being referred to as Agni yoni. The two presiding deities is revered in the 7th century CE Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the Nayanars and classified as Paadal Petra Sthalam. The 9th century CE Shaiva saint poet Manikkavacakar composed the Tiruvempavai here. (Full article...)
  • Image 12 Indian Institute of Management Lucknow (abbreviated IIM Lucknow or IIM-L) is a public business school in Lucknow, Uttar Pradesh, India. It was established in 1984 as the fourth Indian Institute of Management (IIM) by the Government of India. IIM Lucknow offers post-graduate diploma, fellowship and executive programs in management. It is recognised as an "Institution of Excellence" by India's Ministry of Human Resource Development. IIM Lucknow serves as the mentor institution for the newly established IIM Jammu, IIM Rohtak and IIM Kashipur. It also served as a mentor institute to IIM Sirmaur till 2018. The institute is on a 200-acre site in the northern outskirts of Lucknow. It also has a second campus on a 20-acre site at Noida exclusively for one year full-time MBA program (IPMX), Two-year PGP for working executive and executive education. The admission for the two-year PGP and fellowship programmes is done through Common Admission Test (CAT), while GMAT score is used for International Programme in Management for Executives, a one-year full-time residential programme equivalent to an MBA program, while admission to the Two-year PGP for working executive program is done based on GMAT score or a competitive written examination conducted by IIM Lucknow. The shortlisted candidates based on GMAT or the written examination go through the Writing Ability Test and Personal Interview (WAT & PI) to get final selection. The programs are accredited by the global accreditation body AMBA, EQUIS and AACSB. The institute, therefore, has a triple crown accreditation. The institute has tie-ups with 24 leading B-schools across the world for student exchange. A number of b-competitions, cultural and sports events are organised by various clubs, academic interest groups and committees throughout the year. (Full article...)
    Indian Institute of Management Lucknow (abbreviated IIM Lucknow or IIM-L) is a public business school in Lucknow, Uttar Pradesh, India. It was established in 1984 as the fourth Indian Institute of Management (IIM) by the Government of India. IIM Lucknow offers post-graduate diploma, fellowship and executive programs in management. It is recognised as an "Institution of Excellence" by India's Ministry of Human Resource Development. IIM Lucknow serves as the mentor institution for the newly established IIM Jammu, IIM Rohtak and IIM Kashipur. It also served as a mentor institute to IIM Sirmaur till 2018.

    The institute is on a 200-acre site in the northern outskirts of Lucknow. It also has a second campus on a 20-acre site at Noida exclusively for one year full-time MBA program (IPMX), Two-year PGP for working executive and executive education. The admission for the two-year PGP and fellowship programmes is done through Common Admission Test (CAT), while GMAT score is used for International Programme in Management for Executives, a one-year full-time residential programme equivalent to an MBA program, while admission to the Two-year PGP for working executive program is done based on GMAT score or a competitive written examination conducted by IIM Lucknow. The shortlisted candidates based on GMAT or the written examination go through the Writing Ability Test and Personal Interview (WAT & PI) to get final selection. The programs are accredited by the global accreditation body AMBA, EQUIS and AACSB. The institute, therefore, has a triple crown accreditation. The institute has tie-ups with 24 leading B-schools across the world for student exchange. A number of b-competitions, cultural and sports events are organised by various clubs, academic interest groups and committees throughout the year. (Full article...)
  • Image 13 Go First, founded as GoAir, was an Indian low-cost airline based in Mumbai, Maharashtra. It was owned by the Indian business conglomerate, Wadia Group. It commenced operations on 4 November 2005 and operated a fleet of Airbus A320 aircraft in an all economy configuration. In 2021, the airline planned to launch an IPO to raise ₹36 billion (US$430 million). In 2023, the airline faced problems with the availability of Pratt & Whitney engines used on its entire fleet of A320 aircraft and alleged that the issue was impacting its operations. Subsequently, the airline ceased operations on 3 May 2023 and filed an application for voluntary insolvency before the National Company Law Tribunal. (Full article...)
    Go First, founded as GoAir, was an Indian low-cost airline based in Mumbai, Maharashtra. It was owned by the Indian business conglomerate, Wadia Group. It commenced operations on 4 November 2005 and operated a fleet of Airbus A320 aircraft in an all economy configuration.

    In 2021, the airline planned to launch an IPO to raise ₹36 billion (US$430 million). In 2023, the airline faced problems with the availability of Pratt & Whitney engines used on its entire fleet of A320 aircraft and alleged that the issue was impacting its operations. Subsequently, the airline ceased operations on 3 May 2023 and filed an application for voluntary insolvency before the National Company Law Tribunal. (Full article...)
  • Image 14 Sanchi stupa No 3, where the relics of Sariputta and Moggallana were first discovered The relics of Sariputta and Moggallana refers to the cremated remains of the Buddhist disciples Sariputta (Sanskrit: Śāriputra; Pali: Sāriputta; Sinhala:Seriyuth සැරියුත්); and Moggallana (Sanskrit: Maudgalyāyana; Pali: Moggallāna;Sinhala: Mugalan මුගලන්). Sariputta and Moggallana (also called Maha Moggallana) were the two chief disciples of the Buddha, often stylized as the right hand and left hand disciples of the Buddha respectively. The two disciples were childhood friends who ordained under the Buddha together and are said to have become enlightened as arahants. The Buddha declared them his two chief disciples, after which they assumed leadership roles in the Buddha's ministry. Both of the chief disciples died a few months before the Buddha near the ancient Indian city of Rājagaha in what is now Bihar, and were cremated. According to Buddhist texts, the cremated remains of the disciples were then enshrined in stupas at notable monasteries of the time, with Sariputta's remains being enshrined at Jetavana monastery and Moggallana's remains being enshrined at Veḷuvana monastery. However, as of 1999 no modern archaeological reports have confirmed this, although in 1851 discoveries were made at other sites. In 1851, British archaeologists Major Alexander Cunningham and Lieutenant Frederick Charles Maisey discovered relics attributed to the chief disciples during excavations of stupas in the Indian cities of Sanchi and Satdhara. Scholars have theorized that the relics were enshrined in stupas near Rajagaha after the disciples' deaths but were redistributed by later Indian kings such as King Asoka. Following the discovery, the Satdhara relics were sent to the Victoria and Albert Museum in London in 1866, while the Sanchi relics are said to have been lost when a ship carrying the remains sank. Following a Buddhist revival movement in South Asia in the late 19th century, Buddhist organizations including the Maha Bodhi Society began pressuring the British government to return the relics to Asia so they can be properly venerated, with the British government eventually conceding. The relics were sent to Sri Lanka in 1947, where they were on display at the Colombo Museum for nearly two years, and then were put on tour around parts of Asia starting in 1949. The relics were then divided up and permanently relocated in 1952, with portions being enshrined at the Kaba Aye Pagoda in Yangon, Burma, the Maha Bodhi Society temple in Colombo, Sri Lanka, and the Chethiyagiri Vihara in Sanchi, India. (Full article...)
    Sanchi stupa No 3, where the relics of Sariputta and Moggallana were first discovered

    The relics of Sariputta and Moggallana refers to the cremated remains of the Buddhist disciples Sariputta (Sanskrit: Śāriputra; Pali: Sāriputta; Sinhala:Seriyuth සැරියුත්); and Moggallana (Sanskrit: Maudgalyāyana; Pali: Moggallāna;Sinhala: Mugalan මුගලන්). Sariputta and Moggallana (also called Maha Moggallana) were the two chief disciples of the Buddha, often stylized as the right hand and left hand disciples of the Buddha respectively. The two disciples were childhood friends who ordained under the Buddha together and are said to have become enlightened as arahants. The Buddha declared them his two chief disciples, after which they assumed leadership roles in the Buddha's ministry. Both of the chief disciples died a few months before the Buddha near the ancient Indian city of Rājagaha in what is now Bihar, and were cremated. According to Buddhist texts, the cremated remains of the disciples were then enshrined in stupas at notable monasteries of the time, with Sariputta's remains being enshrined at Jetavana monastery and Moggallana's remains being enshrined at Veḷuvana monastery. However, as of 1999 no modern archaeological reports have confirmed this, although in 1851 discoveries were made at other sites.

    In 1851, British archaeologists Major Alexander Cunningham and Lieutenant Frederick Charles Maisey discovered relics attributed to the chief disciples during excavations of stupas in the Indian cities of Sanchi and Satdhara. Scholars have theorized that the relics were enshrined in stupas near Rajagaha after the disciples' deaths but were redistributed by later Indian kings such as King Asoka. Following the discovery, the Satdhara relics were sent to the Victoria and Albert Museum in London in 1866, while the Sanchi relics are said to have been lost when a ship carrying the remains sank. Following a Buddhist revival movement in South Asia in the late 19th century, Buddhist organizations including the Maha Bodhi Society began pressuring the British government to return the relics to Asia so they can be properly venerated, with the British government eventually conceding. The relics were sent to Sri Lanka in 1947, where they were on display at the Colombo Museum for nearly two years, and then were put on tour around parts of Asia starting in 1949. The relics were then divided up and permanently relocated in 1952, with portions being enshrined at the Kaba Aye Pagoda in Yangon, Burma, the Maha Bodhi Society temple in Colombo, Sri Lanka, and the Chethiyagiri Vihara in Sanchi, India. (Full article...)
  • Image 15 Vanaja is a 2006 Telugu-language drama film written and directed by Rajnesh Domalpalli on a story that constituted his Master of Fine Arts thesis at Columbia University. The film was made on a shoestring budget using a cast of non-professional first-timers for two and a half months. The film stars Mamatha Bhukya as the title character: a 15-year-old daughter of a poor fisherman set in the backdrop of a rustic state of Andhra Pradesh in Southern India. She learns Kuchipudi, a classical Indian dance form, while being employed at a local landlady's house. All seems to be going well for her until sexual chemistry evolves between her and the landlady's son, and this eventually leads her being raped by him. The ensuing pregnancy disrupts her simple life, and she must choose how to deal with the child. (Full article...)
    Vanaja is a 2006 Telugu-language drama film written and directed by Rajnesh Domalpalli on a story that constituted his Master of Fine Arts thesis at Columbia University. The film was made on a shoestring budget using a cast of non-professional first-timers for two and a half months.

    The film stars Mamatha Bhukya as the title character: a 15-year-old daughter of a poor fisherman set in the backdrop of a rustic state of Andhra Pradesh in Southern India. She learns Kuchipudi, a classical Indian dance form, while being employed at a local landlady's house. All seems to be going well for her until sexual chemistry evolves between her and the landlady's son, and this eventually leads her being raped by him. The ensuing pregnancy disrupts her simple life, and she must choose how to deal with the child. (Full article...)
  • Image 16 Indian camp scene The Third Anglo-Maratha War (1817–1819) was the final and decisive conflict between the British East India Company and the Maratha Empire in India. The war left the Company in control of most of India. It began with an invasion of Maratha territory by British East India Company troops, and although the British were outnumbered, the Maratha army was decimated. The troops were led by Governor General Hastings, supported by a force under General Thomas Hislop. Operations began against the Pindaris, a band of Muslim mercenaries and Marathas from central India. Peshwa Baji Rao II's forces, supported by those of Mudhoji II Bhonsle of Nagpur and Malharrao Holkar III of Indore, rose against the East India Company. Pressure and diplomacy convinced the fourth major Maratha leader, Daulatrao Scindia of Gwalior, to remain neutral even though he lost control of Rajasthan. (Full article...)

    Indian camp scene

    The Third Anglo-Maratha War (1817–1819) was the final and decisive conflict between the British East India Company and the Maratha Empire in India. The war left the Company in control of most of India. It began with an invasion of Maratha territory by British East India Company troops, and although the British were outnumbered, the Maratha army was decimated. The troops were led by Governor General Hastings, supported by a force under General Thomas Hislop. Operations began against the Pindaris, a band of Muslim mercenaries and Marathas from central India.

    Peshwa Baji Rao II's forces, supported by those of Mudhoji II Bhonsle of Nagpur and Malharrao Holkar III of Indore, rose against the East India Company. Pressure and diplomacy convinced the fourth major Maratha leader, Daulatrao Scindia of Gwalior, to remain neutral even though he lost control of Rajasthan. (Full article...)
  • Image 17 Chhinnamasta, 19th century lithograph Chhinnamasta (Sanskrit: छिन्नमस्ता, Chinnamastā :"She whose head is severed"), often spelled Chinnamasta, and also called Chhinnamastika, Chhinnamasta Kali, Prachanda Chandika and Jogani Maa (in western states of India), is a Hindu goddess (Devi). She is one of the Mahavidyas, ten goddesses from the esoteric tradition of Tantra, and a ferocious aspect of Mahadevi, the Hindu Mother goddess. The self-decapitated nude goddess, usually standing or seated on a divine copulating couple, holding her own severed head in one hand and a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants. Chhinnamasta is a goddess of contradictions. She symbolises both aspects of Devi: a life-giver and a life-taker. She is considered both a symbol of sexual self-control and an embodiment of sexual energy, depending upon interpretation. She represents death, temporality, and destruction as well as life, immortality, and recreation. The goddess conveys spiritual self-realization and the awakening of the kundalini – spiritual energy. The legends of Chhinnamasta emphasise her self-sacrifice – sometimes coupled with a maternal element – sexual dominance, and self-destructive fury. (Full article...)

    Chhinnamasta, 19th century lithograph

    Chhinnamasta (Sanskrit: छिन्नमस्ता, Chinnamastā :"She whose head is severed"), often spelled Chinnamasta, and also called Chhinnamastika, Chhinnamasta Kali, Prachanda Chandika and Jogani Maa (in western states of India), is a Hindu goddess (Devi). She is one of the Mahavidyas, ten goddesses from the esoteric tradition of Tantra, and a ferocious aspect of Mahadevi, the Hindu Mother goddess. The self-decapitated nude goddess, usually standing or seated on a divine copulating couple, holding her own severed head in one hand and a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants.

    Chhinnamasta is a goddess of contradictions. She symbolises both aspects of Devi: a life-giver and a life-taker. She is considered both a symbol of sexual self-control and an embodiment of sexual energy, depending upon interpretation. She represents death, temporality, and destruction as well as life, immortality, and recreation. The goddess conveys spiritual self-realization and the awakening of the kundalini – spiritual energy. The legends of Chhinnamasta emphasise her self-sacrifice – sometimes coupled with a maternal element – sexual dominance, and self-destructive fury. (Full article...)
  • Image 18 The Oxford Union debating chamber During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy. Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
    The Oxford Union debating chamber


    During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy.

    Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
  • Image 19 Anniyan (transl. Stranger) is a 2005 Indian Tamil-language psychological action thriller film co-written and directed by S. Shankar and produced by V. Ravichandran. The film centres on a disillusioned everyman, whose frustration at what he sees as increasing social apathy and public negligence leads to a split personality that attempts to improve the system. Vikram stars in the main lead as Ambi, an idealistic, law-abiding lawyer who has multiple personality disorder and develops two other identities: a fashion model named Remo and a murderous vigilante named Anniyan. Sadha, Vivek, Nedumudi Venu, Nassar and Prakash Raj feature in supporting roles. Shankar conceived the film in mid-2003 during the post-production period of his previous film, Boys. He based the film on his own life experiences during his formative years when he was disturbed by what he saw around him, and his eventual displeasure with the society. Pre-production for Anniyan began in November 2003 and principal photography in March 2004. The making of the film, which included numerous production delays, took 14 months. The film was shot at Hyderabad, Thanjavur, Tindivanam and Chennai, and the song sequences were filmed in Mumbai, Malaysia, Amsterdam and Tenkasi. The film was notable for its recreation of the Tyagaraja Aradhana music festival and the extensive use of time slice photography in an action sequence. (Full article...)
    Anniyan (transl. Stranger) is a 2005 Indian Tamil-language psychological action thriller film co-written and directed by S. Shankar and produced by V. Ravichandran. The film centres on a disillusioned everyman, whose frustration at what he sees as increasing social apathy and public negligence leads to a split personality that attempts to improve the system. Vikram stars in the main lead as Ambi, an idealistic, law-abiding lawyer who has multiple personality disorder and develops two other identities: a fashion model named Remo and a murderous vigilante named Anniyan. Sadha, Vivek, Nedumudi Venu, Nassar and Prakash Raj feature in supporting roles.

    Shankar conceived the film in mid-2003 during the post-production period of his previous film, Boys. He based the film on his own life experiences during his formative years when he was disturbed by what he saw around him, and his eventual displeasure with the society. Pre-production for Anniyan began in November 2003 and principal photography in March 2004. The making of the film, which included numerous production delays, took 14 months. The film was shot at Hyderabad, Thanjavur, Tindivanam and Chennai, and the song sequences were filmed in Mumbai, Malaysia, Amsterdam and Tenkasi. The film was notable for its recreation of the Tyagaraja Aradhana music festival and the extensive use of time slice photography in an action sequence. (Full article...)
  • Image 20 Gargi Vachaknavi (Sans: गार्गी वाचक्नवी (Devanagari); Gārgī Vāchaknavī (HK)) was an ancient Indian sage and philosopher. In Vedic literature, she is honoured as a great natural philosopher, renowned expounder of the Vedas, and known as Brahmavadini, a person with knowledge of Brahma Vidya. In the Sixth and the eighth Brahmana of Brihadaranyaka Upanishad, her name is prominent as she participates in the brahmayajna, a philosophic debate organized by King Janaka of Videha and she challenges the sage Yajnavalkya with perplexing questions on the issue of atman (soul). She is also said to have written many hymns in the Rigveda. She remained a celibate all her life and was held in veneration by the conventional Hindus. Gargi, the daughter of sage Vachaknu in the lineage of sage Garga (c. 800-500 BCE) was named after her father Gargi Vachaknavi. From a young age, she evinced a keen interest in Vedic scriptures and became very proficient in fields of philosophy. She became highly knowledgeable in the Vedas and Upanishads in the Vedic times and held intellectual debates with other philosophers. (Full article...)
    Gargi Vachaknavi (Sans: गार्गी वाचक्नवी (Devanagari); Gārgī Vāchaknavī (HK)) was an ancient Indian sage and philosopher. In Vedic literature, she is honoured as a great natural philosopher, renowned expounder of the Vedas, and known as Brahmavadini, a person with knowledge of Brahma Vidya. In the Sixth and the eighth Brahmana of Brihadaranyaka Upanishad, her name is prominent as she participates in the brahmayajna, a philosophic debate organized by King Janaka of Videha and she challenges the sage Yajnavalkya with perplexing questions on the issue of atman (soul). She is also said to have written many hymns in the Rigveda. She remained a celibate all her life and was held in veneration by the conventional Hindus.

    Gargi, the daughter of sage Vachaknu in the lineage of sage Garga (c. 800-500 BCE) was named after her father Gargi Vachaknavi. From a young age, she evinced a keen interest in Vedic scriptures and became very proficient in fields of philosophy. She became highly knowledgeable in the Vedas and Upanishads in the Vedic times and held intellectual debates with other philosophers. (Full article...)
  • Image 21 Pushkar Lake or Pushkar Sarovar is located in the town of Pushkar near Ajmer city in Ajmer district of the Rajasthan state of western India. Pushkar Lake is a sacred lake of the Hindus. The Hindu scriptures describe it as "Tirtha-Guru" [Thirtha Raj]– the perceptor of pilgrimage sites related to a water-body and relate it to the mythology of the creator-god Brahma, whose most prominent temple stands in Pushkar. The Pushkar Lake finds mention on coins as early as the 4th century BC. Pushkar Lake is surrounded by 52 bathing ghats (a series of steps leading to the lake), where pilgrims throng in large numbers to take a sacred bath, especially around Kartik Poornima (October–November) when the Pushkar Fair is held. A dip in the sacred lake is believed to cleanse sins and cure skin diseases. Over 500 Hindu temples are situated around the lake precincts. (Full article...)

    Pushkar Lake or Pushkar Sarovar is located in the town of Pushkar near Ajmer city in Ajmer district of the Rajasthan state of western India. Pushkar Lake is a sacred lake of the Hindus. The Hindu scriptures describe it as "Tirtha-Guru" [Thirtha Raj]– the perceptor of pilgrimage sites related to a water-body and relate it to the mythology of the creator-god Brahma, whose most prominent temple stands in Pushkar. The Pushkar Lake finds mention on coins as early as the 4th century BC.

    Pushkar Lake is surrounded by 52 bathing ghats (a series of steps leading to the lake), where pilgrims throng in large numbers to take a sacred bath, especially around Kartik Poornima (October–November) when the Pushkar Fair is held. A dip in the sacred lake is believed to cleanse sins and cure skin diseases. Over 500 Hindu temples are situated around the lake precincts. (Full article...)
  • Image 22 Kartik bowling for Somerset in 2010. Murali Kartik (pronunciation, born 11 September 1976) is a Cricket commentator and former Indian cricketer who sporadically represented the national team from 2000 to 2007. He was a slow left-arm orthodox bowler. He was not selected for international matches during his prime years due to the presence of Anil Kumble and Harbhajan Singh in the Indian squad. A left-handed batsman who had some success with the bat at first-class level with 21 half-centuries, Murli was not able to repeat such performances at international level. After starting out in the Delhi junior system, Murali moved through the age group ranks at Railways and was selected for the Indian Under-19 team. He made his first-class debut in 1996–97 and after a few productive seasons at the domestic level, made his Test debut in early 2000 as Kumble's bowling partner. However, he ran into disciplinary problems and was expelled from the National Cricket Academy in the same year. At the same time, new national captain Sourav Ganguly was reluctant to entrust him with responsibility. Ganguly called for off-spinner Harbhajan Singh to be recalled in 2001 and was rewarded with a series-winning performance against Australia. This entrenched the off-spinner in the team and left Kartik on the outer. (Full article...)

    Kartik bowling for Somerset in 2010.

    Murali Kartik (pronunciation, born 11 September 1976) is a Cricket commentator and former Indian cricketer who sporadically represented the national team from 2000 to 2007. He was a slow left-arm orthodox bowler. He was not selected for international matches during his prime years due to the presence of Anil Kumble and Harbhajan Singh in the Indian squad. A left-handed batsman who had some success with the bat at first-class level with 21 half-centuries, Murli was not able to repeat such performances at international level.

    After starting out in the Delhi junior system, Murali moved through the age group ranks at Railways and was selected for the Indian Under-19 team. He made his first-class debut in 1996–97 and after a few productive seasons at the domestic level, made his Test debut in early 2000 as Kumble's bowling partner. However, he ran into disciplinary problems and was expelled from the National Cricket Academy in the same year. At the same time, new national captain Sourav Ganguly was reluctant to entrust him with responsibility. Ganguly called for off-spinner Harbhajan Singh to be recalled in 2001 and was rewarded with a series-winning performance against Australia. This entrenched the off-spinner in the team and left Kartik on the outer. (Full article...)
  • Image 23 Pandurangi Kodanda Rao (25 December 1889 – 23 July 1975) was an Indian social and independence activist who served as a member and secretary of the Indian socio-political organization Servants of India Society between 1922 and 1958. He was the private secretary to V. S. Srinivasa Sastri with whom he traveled as an advisor and delegate to multiple Round Table Conferences and other international conferences. Rao was also an associate of Indian freedom leader Mahatma Gandhi and assisted him in his campaigns against untouchability. Rao wrote extensively on topics including overseas Indians, emigration, immigration, and Indian politics under British rule. (Full article...)
    Pandurangi Kodanda Rao (25 December 1889 – 23 July 1975) was an Indian social and independence activist who served as a member and secretary of the Indian socio-political organization Servants of India Society between 1922 and 1958. He was the private secretary to V. S. Srinivasa Sastri with whom he traveled as an advisor and delegate to multiple Round Table Conferences and other international conferences. Rao was also an associate of Indian freedom leader Mahatma Gandhi and assisted him in his campaigns against untouchability. Rao wrote extensively on topics including overseas Indians, emigration, immigration, and Indian politics under British rule. (Full article...)
  • Image 24 in Noordwijk, Netherlands Parmotrema perlatum, commonly known as the powdered ruffle lichen, is a common species of foliose lichen in the family Parmeliaceae. The species has a cosmopolitan distribution and occurs throughout the Northern and Southern Hemispheres. Parmotrema perlatum is a prominent and widely recognised species within its genus across primarily temperate zones, preferring humid, oceanic-suboceanic habitats. It is found in diverse geographic areas including Africa, North and South America, Asia, Australasia, Europe, and islands in the Atlantic and Pacific oceans. It usually grows on bark, but occasionally occurs on siliceous rocks, often among mosses. The thallus of Parmotrema perlatum is large, light-grey to pale-blue patch-shaped with rounded and ruffled lobes and often with black hair-cilia at the edges. Distinguishing features of the lichen include its conspicuous soralia (reproductive structures) near the lobe edges, curled leaf-like lobes, and a narrow, shiny, and sometimes wrinkly area on the underside near the margin. This species is known for producing certain secondary metabolites, namely atranorin and a group of substances known as the stictic acid complex, which includes stictic and constictic acids, among other related compounds. These morphological and chemical characteristics help distinguish P. perlatum from several other potential lookalikes. (Full article...)

    in Noordwijk, Netherlands

    Parmotrema perlatum, commonly known as the powdered ruffle lichen, is a common species of foliose lichen in the family Parmeliaceae. The species has a cosmopolitan distribution and occurs throughout the Northern and Southern Hemispheres. Parmotrema perlatum is a prominent and widely recognised species within its genus across primarily temperate zones, preferring humid, oceanic-suboceanic habitats. It is found in diverse geographic areas including Africa, North and South America, Asia, Australasia, Europe, and islands in the Atlantic and Pacific oceans. It usually grows on bark, but occasionally occurs on siliceous rocks, often among mosses.

    The thallus of Parmotrema perlatum is large, light-grey to pale-blue patch-shaped with rounded and ruffled lobes and often with black hair-cilia at the edges. Distinguishing features of the lichen include its conspicuous soralia (reproductive structures) near the lobe edges, curled leaf-like lobes, and a narrow, shiny, and sometimes wrinkly area on the underside near the margin. This species is known for producing certain secondary metabolites, namely atranorin and a group of substances known as the stictic acid complex, which includes stictic and constictic acids, among other related compounds. These morphological and chemical characteristics help distinguish P. perlatum from several other potential lookalikes. (Full article...)
  • Image 25 Skyline of the Central Business District Bengaluru (Kannada: [ˈbeŋɡɐɭuːɾu] ⓘ; ISO: Beṁgaḷūru), formerly called Bangalore in English (/ˈbæŋɡəlɔːr, ˌbæŋɡəˈlɔːr/ BANG-gə-lor, -⁠LOR), is the capital and largest city of the southern Indian state of Karnataka. It has a population of more than 8 million and a metropolitan population of around 15 million, making it India's third most populous city and fourth most populous urban agglomeration. It is the most populous city and largest urban agglomeration in South India, and is the 27th largest city in the world. Located on the Deccan Plateau, at a height of over 900 m (3,000 ft) above sea level, Bengaluru has a pleasant climate throughout the year, with its parks and green spaces earning it the reputation of India's "Garden City". Its elevation is the highest of India's major cities. The city's history dates back to around 890, as per the old Kannada stone inscription found at the Nageshwara Temple in Begur, Bengaluru. In 1537, Kempé Gowdā, a feudal ruler under the Vijayanagara Empire, established a mud fort, considered the foundation of modern Bengaluru and its oldest areas, or pétés, which still exist. After the fall of the Vijayanagara Empire, Kempe Gowda declared independence; in 1638, a large Adil Shahi Bijapur army defeated Kempe Gowda III, and Bengaluru came under Shahaji Bhonsle as a jagir, which later became his capital. The Mughals later captured Bengaluru and sold it to Maharaja Devaraja Wodeyar II of the Kingdom of Mysore. When Haider Ali seized control of the kingdom, Bengaluru's administration passed into his hands. (Full article...)

    Skyline of the Central Business District

    Bengaluru (Kannada: [ˈbeŋɡɐɭuːɾu] ⓘ; ISO: Beṁgaḷūru),
    formerly called Bangalore in English (/ˈbæŋɡəlɔːr, ˌbæŋɡəˈlɔːr/ BANG-gə-lor, -⁠LOR),
    is the capital and largest city of the southern Indian state of Karnataka. It has a population of more than 8 million and a metropolitan population of around 15 million, making it India's third most populous city and fourth most populous urban agglomeration. It is the most populous city and largest urban agglomeration in South India, and is the 27th largest city in the world. Located on the Deccan Plateau, at a height of over 900 m (3,000 ft) above sea level, Bengaluru has a pleasant climate throughout the year, with its parks and green spaces earning it the reputation of India's "Garden City". Its elevation is the highest of India's major cities.

    The city's history dates back to around 890, as per the old Kannada stone inscription found at the Nageshwara Temple in Begur, Bengaluru. In 1537, Kempé Gowdā, a feudal ruler under the Vijayanagara Empire, established a mud fort, considered the foundation of modern Bengaluru and its oldest areas, or pétés, which still exist. After the fall of the Vijayanagara Empire, Kempe Gowda declared independence; in 1638, a large Adil Shahi Bijapur army defeated Kempe Gowda III, and Bengaluru came under Shahaji Bhonsle as a jagir, which later became his capital. The Mughals later captured Bengaluru and sold it to Maharaja Devaraja Wodeyar II of the Kingdom of Mysore. When Haider Ali seized control of the kingdom, Bengaluru's administration passed into his hands. (Full article...)
More good articles

News

25 November 2024 –
In cricket, batter Vaibhav Suryavanshi becomes the youngest player to sign with the Indian Premier League at the age of 13. (DW) (Hindustan Times)
23 November 2024 –
Twenty-four people are killed and 46 others are rescued after two boats carrying 70 passengers capsize when the boats' engines failed in the Indian Ocean off the north coast of Madagascar. (BBC News)
20 November 2024 –
Indian billionaire and Adani Group chairman Gautam Adani is indicted in the U.S. for his role in an alleged multi-billion dollar bribery and fraud scheme where he and seven others paid Indian government officials US$265 million to obtain contracts for Adani Green Energy. (AsiaOne) (Bloomberg)
15 November 2024 –
Ten infants are killed and 16 others are injured in a fire inside a neonatal intensive care unit at the Jhansi Medical College hospital in Jhansi, Uttar Pradesh, North India. (AP)
13 November 2024 – 2024 Indo-Pakistani smog
New Delhi, India, reports its 15th consecutive day with a "very poor" recorded air quality index due to significant air pollution causing zero meter visibility smog. (The Hindu)

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